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Very theatrical teachers can be wildly popular on campus, inducing
students from all disciplines to attend these classes just for the
theatrics, but I question whether much learning takes place in most
of them.
As an aside, one of the things that has bothered me about most PER is
an assumption made tacitly by many in that field that if we can just
find the "magic bullet" all the students will learn everything the
first time around and the world will be revolutionized. I
overstating, of course, but I have heard similar sentiments expressed
by several of the notables in the field, and others to whom I have
mentioned my impression have agreed with me to some extent. I think
this ignores the issue of teaching and learning styles,
well-documented by the Myers-Briggs test analyses, and may be one of
the reasons so many well-intentioned pedagogical schemes have not
outlasted the lives of the principal promoters of them. There are
certainly other reasons, among them the fact that almost all the new
methods are highly labor-intensive, either demanding large amounts of
pre-class preparation (I've heard more than one teacher, while
touting their favorite PER pedagogy, say it helps to be a workaholic)
or require a great deal of one-on-one or few-on-one contact between
student(s) and teacher, thus either increasing the teacher workload
greatly or requiring class sizes to be drastically reduced, one not
very attractive to the teachers and the other not very attractive to
the administrators.