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Re: [Phys-l] Tuning fork to drive a speaker



Aaaa, before piezoelectric oscillators such devices were a very good oscillator (clock), not as good as a pendulum, but much more portable and much higher frequency possible. The better ones were in an evacuated box to increase their Q. I have an old one that uses a carbon microphone as the feedback detector. Not in a vacuum chamber. While I was a student at UCSB, they had one (evacuated).

According to a Scientific Am. article (IV '64) they typically have a Q of 6K. The better pendula have ~ 10k

bc, reminded of the time he had a friend drop coins in a pay phone while he looked * at the signal, then duplicated it by rubbing a wire on a file. Admits to stealing many nickels from the 'phone company.

*O'scope borrowed from physics dept. while a grad. student at USC. (c. 1961)



On 2008, Mar 03, , at 14:28, Joseph Bellina wrote:
You just reinvented a device used in the 19th century to drive electromagnets that in turn drove tuning forks in front of resonators. The device was a mechanical acoustic synthesizer.



cheers,

joe


Joseph J. Bellina, Jr. Ph.D.
Professor of Physics
Saint Mary's College
Notre Dame, IN 46556

On Mar 3, 2008, at 4:51 PM, Folkerts, Timothy J wrote:

I was playing around with speakers for some class demos and come up with
a new (to me, anyway) idea.

The old idea ...
If you connect a battery directly to a speaker, it will either move in
or out depending on the polarity of the battery. Pretty clearly, you
can relate this to an attraction of repulsion of the electromagnet on
the cone interacting with the permanent magnet in the base.

If you repeatedly touch the wire to the battery, you can make the
speaker vibrate. But it is hard to touch the wire to the battery more
than a few times per second.

The New Idea! ...
Enter the tuning fork. The students can clearly see the tuning fork is
vibrating (especially if you dunk it in water). Well I touched the
vibrating tuning fork to the battery. One of the wires was brought up
close to the tuning fork, making intermittent contact with each
vibration. The speaker immediately resounded with the pitch of the
tuning fork. (At least until the vibrations died down too much in a few
seconds.) The intermittent connection to the tuning fork is, I think,
much more "visceral" than a function generator for a square wave input
to the speaker.


Depending on the situation, you could use this to demonstrate something
about sound or something about electromagnets and speakers.

Tim Folkerts
_______________________________________________
Forum for Physics Educators
Phys-l@carnot.physics.buffalo.edu
https://carnot.physics.buffalo.edu/mailman/listinfo/phys-l

_______________________________________________
Forum for Physics Educators
Phys-l@carnot.physics.buffalo.edu
https://carnot.physics.buffalo.edu/mailman/listinfo/phys-l