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Re: Chimes; Waves in Pipes, Rods, Bars, etc



Two things you should be aware of (in case you aren't already):

1) The wavelengths of vibration on a tube or rod do NOT obey simple rules
like those for a streched string. It is much more complicated.

2) The frequencies of vibration which are produced by a rod, pipe etc. do
not NECESSARILY correspond to the pitches you will hear. This is because of
something refered to in the literature as the 'missing fundamental'.
Apearently the ear can be fooled into 'hearing' a pitch which is not
actually present: If a set of overtones occur which are multiples of a
missing fundamental the ear will often 'hear' the fundamental as if it is
actually present. This is in fact the way orchestral chimes work: they do
NOT vibrate at any frequency corresponding to the note which is heard. You
can set this up with speakers and frequency generators; set two up with
frequencies say 300hz appart and try to match a third generator to it.
Someone with a good musical ear will usually match the third generator to
300hz rather than the two frequenies actually present (NOTE: phase appears
to play a role here so it can be tricky to make this work every time). One
interesting thing about this effect is that IT WORKS EVEN IF EACH OF THE
TWO HARMONICS GOES INTO A DIFFERENT EAR!

Have fun!
kyle

At 5:58 PM 1/1/98, brian whatcott wrote:
At 17:23 1/1/98 -0500, Durig Lewis wrote:
I am considering a unit on waves and want to get my students to make wind
chimes and xylophones. I now realize that I don't know as much about it as
I used to think I did. How do I calculate the frequency of a wave in a
struck pipe, rod, or bar. Which plays the bigger role: the transverse or
the longitudinal wave in the pipe. How does the air in the pipe or around a
rod or bar affect the tuning. I have heard that humidity affects even the
tuning of a xylophone.

DurigLewis@worldnet.att.net

This is the URL for a very practical piece on windchime construction:

http://users.why.net/wgray/www/howto/wchime/wchime.html


This is a public newsgroup post on chimes in transverse
vibration, xylophone style - I think you will see how they can be
made - quoted here without permission:

**********************************************************************
Subject: Re: "Zen" chime question
From: kinsler@froggy.frognet.net (Mark Kinsler)
Date: 1997/11/26
Message-ID: <65i3ut$jv6@froggy.frognet.net>
Newsgroups: rec.crafts.metalworking
[More Headers]


P'rfesser <terry.mccreary@murraystate.edu> wrote:
I saw a different kind of alarm clock in a catalog. It had what the
catalog called a "zen chime", a metal rod suspended by two strings
about a quarter the length from each end of the rod. It reminded me
of a similar device I saw in Hallmark. You tap it and it seems to
ring for about a minute. Very soothing.
Anyone know more about this: type of rod, exactly where to support
it, how to maximize the ringing time, etc.? Thanks, group.

You can do this with almost any piece of metal. A long, thin wrench works
well. You determine the nodes, which is where you place the
support strings, by experiment. Brass or bronze is
supposed to work better than steel, but I get swell notes
from a rather rusty piece of reinforcing rod. Wander over to the
music school and have a look at a vibraphone and you'll see where to
support the bars.

You can ring a lot of things. Wood bars, of course, make a xylophone.
Most ceramics ring well (I have to try flower pots sometime.) A tube (try
electrical conduit) has low sectional density, which I think is why it
will give you a very low note for its length--hence, tubular chimes.

Mark Kinsler
************************************************************************

-----------------------------------------------------
kyle forinash 812-941-2390
forinas@indiana.edu
Natural Science Division
Indiana University Southeast
New Albany, IN 47150
http://Physics.ius.indiana.edu/
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